Case study
Shotover Jet: Sixty Years of Thrills
[One or two sentences on the project: what Shotover Jet needed, and why the opening moves from live footage into animation.]
- 01
Reference
[Where the look came from: live footage, location, mood boards.]
- 02
Storyboard
[How you planned the shots and timed them to the edit.]
- 03
Style frames
[How the illustrated frames were built: palette, shapes, AI steps, cleanup.]
- 04
Animation
[How the frames were brought to life: motion, wake, camera, transitions.]
01 · Reference
From live plate to illustration
[Write-up: how the live gorge shot became the first illustrated frame, and how the morph hides the cut between them.]
02 – 03 · Storyboard to style frames
Building the frames
[Write-up: your process from rough board to finished frame. Drag each frame to compare the sketch with the final.]
Shot 01 Gorge entry
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
Shot 02 Driver's hands
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
Shot 03 Passengers
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
Shot 04 Top-down run
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
Shot 05 The spin
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
Shot 06 Into the canyon
[Write-up for this frame: what the shot needed to do, the framing choice, and anything you changed between sketch and final.]
04 · Animation
Bringing it to life
[Write-up: how you animated the frames, e.g. the wake, the boat's motion, camera moves and the cloud wipe back to live action.]
Animatic, work-in-progress clip
or After Effects breakdown goes here
Result
[Outcome: where it ran, the response, and what you'd take into the next project.]
Got a shot that needs saving?
Send through a frame or a clip and I'll tell you what's possible, usually within a day.
motion@danwatson.co.nz